Movie Review : Dishoom

Dishoom: An Extremely Average Punch with No Impact

Rohit Dhawan came up with a decent fair with “Desi Boyz” in 2011 wherein he explored the world of Gigolos, but with “Dishoom” Rohit explores the thriller genre…

“Dishoom” is primarily set in Middle East where an Indian cricketer Viraj Sharma (Saqib Saleem) is abducted 36 hours before the final between India & Pakistan. The Indian Govt sends a Special Task Force official KabirShergill (John Abraham) for the mission of getting back Viraj. Kabir teams up with aDishoom Review rookie inspector Junaid (Varun Dhawan) from the police department in Middle East and starts his hunt for the cricketer. Whether Kabir successfully finds out Viraj Sharma is what the story all about…

Story & Screenplay written by Rohit Dhawan himself and Tushar Hiranandani takes a predictable path for a thriller. The suspense is revealed too soon in the movie and the nuances of a thriller just evaporates. There are too many unwanted characters who do not have any relevance to the actual story like the character of Khabri Chachu or Akshay Kumar’s cameo as Sameer Gazi or Nargis Fakhri’s cameo as Samaira. Both the writers fail to give an edge of the seat thriller which was possible looking at the concept. Unnecessary comic sequences marred the overall impact of the story, like the track where Satish Kaushik’s voice speaks to Junaid telling him that they did not like his photo in the matrimonial site, this is repeated many times and it hardly looks funny. Junaid’s character looks a replica of Varun Dhawan’s character in “Main Tera Hero”. There is nothing new in the writing and you feel that the writers are in the 80’s zone wherein the heroine used to dance at the villain’s den. The main antagonist Wagah (Akshay Khanna) looks meek and there is no element of fear in his character, and if the character of the antagonist is weak in a thriller then the movie falls flat and that is exactly what happens with “Dishoom”….

Even the dialogues written by Hussain Dalal does not help, the dialogues especially the comic once sound too forced and hardly make you laugh…

Performances by the ensemble cast does not create any impact whatsoever… John Abraham as Kabir Shergill again repeats his macho act with a frown all throughout the movie, so if you have seen Welcome 2 &Rocky Handsome then you have seen John’s performance in “Dishoom”, and it is absolutely not up to the mark. John has the same expression throughout the movie and you feel that John really needs a crash course in acting. Same goes with Varun Dhawan who has been stuck to his “Main Tera Hero” demeanor in all his films except “Badlapur”, so Varun does not offer anything new in this movie which we have not seen in his earlier films. It is high time for Varun to stop imitating Govinda because he ends up hamming instead of entertaining, and his act gets on to your nerves after sometime. Jacqueline Fernandez repeats her glamour act yet again and ends up being a show piece in the movie. Akshay Khanna is back with his mean act of Wagah in “Dishoom” and fails in his portrayal of an antagonist. He ends up being more of mockery than the dreaded villain, well blame is half on the writing and half on Akshay who failed to get the act right. Saqib Saleem as Viraj Sharma the cricketer in the only one who impresses a bit. The cameos of Akshay Kumar & Nargis Fakhri are a waste….

Rohit Dhawan instead of going a step forward with is second film has slipped. The movie has a very amateurish feel overall and as a viewer you feel that the director has no control on the proceedings. Rohit completely fails as a director whether it is in the writing department or acting department or music department…he was confused whether he should make an action comedy or a taut thriller… and he ends up making a mish mash of the two genres. Overall a very average effort from Rohit Dhawan…
There are only two aspects wherein “Dishoom” redeems itself, first being the cinematography by Ayananka Bose which captures each frame whether it is the city life of Middle East or the sand dunes with perfection, and second being action direction Allan Amin, the bike chase the helicopter chase all has been perfectly shot and are of international standards…

Music by Pritam yet again disappoints, would love to have our old Pritam back…

Overall “Dishoom” is an extremely average fair and fails to connect…I will go with TWO stars….

Movie Rating: (2 / 5)

Review : Once Upon A Time in Mumbai Dobara

Once Upon A Time in Mumbai Dobara: Not as impactful as the first part

Milan Luthria has a fascination for 70’s & 80’s, and it shows in his last two movies “Once upon A Time in Mumbai”, “The Dirty Picture” and now “Once upon A Time in Mumbai Dobara”.

The first part was an out and out gangster flick wherein it showed Mumbai in the 70’s when mafia was emerging and Sultan (Ajay Devgan) was ruling the city until Shoaib (then played by Imraan Hashmi) his protégé ditches him and takes control of the mafia of Mumbai (then Bombay) and flees to Dubai.

The sequel starts with Shoaib (now played by Akshay Kumar) is the ruler of Mumbai who operates from Dubai. His enemies like Rawal (Mahesh Manjrekar) try an assassination attempt on him in Dubai. In order to teach him a lesson Shoaib returns to Mumbai to kill Rawal with the help of his protégé Aslam (Imran Khan) but eventually falls in love with a struggling actress Jasmine (Sonakshi Sinha) not knowing that Aslam his protégé is also in love with Jasmine. Rest of the plot mainly concentrates on the love triangle.

The story & screenplay by Rajat Arora starts off as a gangster flick but ultimately ends up being a love triangle and there is where the film fails to live up to its expectations created by its previous part. The second half is extremely stretched and too many songs slow down the pace and the run time also increases. Another issue is, there are too many characters and sub plots which have no relevance to the main story.
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The real highlights of the movie are its dialogues just like its previous part, which is again written by Rajat Arora. Every scene is packed with metaphors & punch line, but at times it also becomes repetitive and monotonous.

Akshay Kumar looks good as the gangster Shoaib but his act becomes repetitive after some time, though it shows he is trying hard. Imran Khan as Aslam is a miscast and never in the whole movie does he look convincing as a henchman, though he is good in the romantic scenes. The surprise packet is Sonakshi Sinha, she lightens up the screen whenever she is there, at times she overshadows Akshay & Imran in a few scenes. Sonali Bendre as Mumtaz (previously played by Prachi Desai in the first part) is wasted but she shines in the 2 scenes that she has in the movie. Mahesh Manjrekar does not impress too much. Abhimanyu Singh does not give the same punch which Randeep Hooda did in the first part. Overall other than Sonakshi Sinha none of the other actors create any impact.

Cinematograhy by Ayananka Bose is superb and captures the Mumbai in 80’s well. Production Design by Priya Suhas is excellent and creates the right ambience of 80’s Mumbai. Costumes by Manish Malhotra & Kunal Rawal do justice to the period. Overall the Cinematography, Production Design & Costume Department takes the movie a few notches above the first part.

Music by Pritam is average and does not have any song which is impactful unlike his scores in the first part.

Director Milan Luthria has gone completely wrong in the casting in this film and other issue is that he is not sure whether he wanted to make love story or a gangster flick. The length is another drawback. I would go with 2 and a half stars….