Movie Review: Rangoon

Rangoon: A Beautiful Canvas without the soul

Rangoon-Official-ReviewVishal Bharadwaj the ace film maker has mastered the art of narrating complex stories on human relations and he is a master in adapting Shakespeare’s work in Hindi movies. All of Vishal’s adaptation of Shakespearian work has been a critical and box office success.

With “Rangoon” Vishal tries to keep it simple with a triangular love story in Broadway style with a back drop of World War 2 and Independence Struggle in 1944. “Rangoon” set in 1944 tells the story of Julia (Kangana Ranaut) a successful actress who is controlled by her mentor Rustom Billimoria a.k.a Rusi (Saif Ali Khan) a movie baron who started as an actor, but due to a fatal accident had to retire as an actor and became a film producer. A much married and pro British, Rusi thinks Julia is his property which he bought when Julia was 14 years from her mother in Rs 1000, in a nutshell he is obsessed with Julia. Julia on the other hand thinks Rusi’s obsession as love and dreams of becoming Mrs Billimoria one day. In the mean time the British Major General Harding (Richard McCabe) comes up with a proposal of sending Julia to the Burma border in order to entertain the soldiers there to Rusi which he agrees. Jamadar Nawab Mallik, a soldier in the British army is given the responsibility of taking care of Miss Julia in her trip to Burma Border. In the course of many events in the journey Julia and Nawab fall in love. What happens to Julia’s love for Rusi, how does Rusi react to the liaison of Julia towards Nawab, and is Nawab hiding a secret, is what the rest of the movie is all about….

Story by Matthew Robbins has too many sub plots namely a triangular love story, the world war, the INA and their Japanese alliance and the freedom struggle. The screenplay by Matthew Robbins, Sabrina Dhawan and Vishal Bharadwaj himself is a case of too many plots spoil the screenplay. “Rangoon” suffers from an identity crisis, neither is it a full blown love story, neither a spy thriller, neither a movie on world war and neither a story a story of INA and freedom struggle. Though primarily more emphasis is given to the triangular love story of the principal characters of Julia, Rusi and Nawab but the sub plot fail to blend with the love story that is intended to narrate, which confuses you what exactly the movie wants to convey. The other problem is the narration; the format is like “Casablance” meets “Chicago” which not only makes the movie leisurely paced due to too many songs but it also stretches till the point of exhaustion. The first half is still tolerant as far as the pace goes but in the second half the songs in a drop of a hat just tests your patience. The worst part of the screenplay is its climax which suddenly goes ballistic and melodrama seeps in and you feel you are transported to the 80’s genre of Hindi movies. In the last 30 minutes of the movie the patriotism is almost thrust down your throat till you scream “Bloody Hell”. One thing that the script gets right is its three principal characters, especially the character of Julia which is the most layered and complexed, it oscillates from being a child woman to a matured woman, next is the character of Nawab which keeps you guessing his moves and motives till the end, the third being the character of Rusi Billimoria, the suave and shrewd movie baron who oscillates from being obsessed  and being in love with Julia, his insecurities and his eccentricities due to Julia are relatable. The worst character of the movie is Major General Harding who becomes more of a caricature than menacing what with his Urdu shayari in British accent, which I thought was entirely unnecessary and extremely out of place. Too many characters also play a spoil sport in the narration; some of the characters just do not make any sense in the overall scheme of things. Overall an extremely average writing, not expected from Vishal Bharadwaj.

The dialogues written by Vishal Bharadwaj oscillates from being serious to funny to out rightly outlandish, especially the dialogues of Major General Harding and his Urdu shaiyari was extremely annoying. The patriotic dialogues sound amateurish.Rangoon-Movie-Review

“Rangoon” is a must watch for the performances of the three principal characters, starting with the portrayal of Julia, the complex of the three has been portrayed beautifully by Kangana Ranaut, she does not only look great as a vintage actress but acts effortlessly, you just cannot take your eyes off from her when she is on screen. Kangana yet again proves she is an actress par excellence. Shahid Kapoor who always does wonders in a Vishal Bharadwaj movie, gives a restrained and impactful performance as Jamadar Nawab Mallik. Shahid acts more with his eyes in this movie and each of his expressions creates more depth for his character. At the end it is Nawab’s character which stays with you, thanks to a brilliant performance by Shahid Kapoor. Saif Ali Khan who did wonders with his last association with Vishal as Langda Tyagi in Omkara, gives yet another riveting performance as Rusi Billimoria, though his screen time is less as compared to the other two characters, but still he shines as the shrewd and obsessive movie baron with flying colours. Richard McCabe as Major General Harding hams and his urdu shaiyari is hardly funny and looks caricaturish, one of the worst performance of the movie. Other actors like Gerson Da Cunha, Shriswara, Rushad Rana, Gajraj Rao, Atul Kumar, Satoru Kawaguchi, Alex Avery do not have much to contribute but they do well in whatever little screen time they have.

It is the technical team which make “Rangoon” a treat to watch. Cinematography by Pankaj Kumar is the best thing to have happened to “Rangoon”, it looks amazing and every frame is a master piece. Production Design by Subrata Chakraborty and Amit Ray is spot on as per the period, right from the re-creating Mumbai or should I say Bombay of 40’s, the buildings to the cars to the train to the match box, the intricate details by Subrata and Amit cannot be missed, undoubtedly award winning. Costume Design by national award winner Dolly Ahluwalia again hits the bull’s eye, from the skirts to the suits to the army uniforms; all are researched and as per the period depicted, brilliant work from Dolly. Overall the magicians at the back ground make “Rangoon” a visual extravaganza.

Vishal Bharadwaj who normally gets it right, just losses it to his indulgence in making “Rangoon” a desi “Casablanca” in Broadway style movie. It is the writing in a Vishal Bharadwaj movie which shines; unfortunately “Rangoon” fails to shine as far as the writing goes. Somewhere you feel that Vishal  is confused what he wants to convey, and the ridiculous climax just destroys the little credibility the movie had. Undoubtedly “Rangoon” is one of the weakest works by Vishal after “Matru ki Bijli Ka Mandola”.

Music which is Vishal Bharadwaj’s forte shines in this movie as well, but too many songs mars the freshness in the narration. Though the choreography of “Bloody hell” and “Mere Piya Gaye England” by Sudesh Adhana and the choreography of “Julia” and “Tippa” by Farah Khan are note worthy. Melody wise and poetry wise “ Alvida”  and “Yeh Ishq Hai” stand out, what with Gulzar’s beautiful lyrics. Again the combo of Vishal Bharadwaj and Gulzar creates impact.

“Rangoon” is half baked visual treat, with some brilliant performances by Kagana, Shahid & Saif…I will go with Three Stars…

Movie Rating: (3 / 5)

Official Trailer: Rangoon

After the critically acclaimed “Haider” in 2014, Vishal Bharadwaj and Shahid Kapoor team up again for “Rangoon”. Shahid Kapoor fetched his first Filmfare Award as an Actor for “Haider”.. Vishal Bharadwaj also teams up again with Saif Ali Khan after “Omkara” in 2006, for “Omkara” Saif Ali Khan’s portrayal of Langda Tyagi bought him acclaim including a Fimfare for Best Actor in a Negative Role.

Rangoon Official Trailer“Rangoon” is a love story based during World War 2 in Burma hence the name “Rangoon”…

Other than Saif Ali Khan & Shahid Kapoor, Kangana Ranaut plays the female lead and her character is based on the yesteryear actress Nadia…

It is believed that Vishal Bharadwaj wanted to make “Rangoon” just after “Omkara” but due to period setting and high production cost the movie did not find takers. That time the name of the movie was “Julia”…

Majorly shot in the scenic locations of Arunachal Pradesh the movie promises to be a visual treat. The cinematography is by Pankaj Kumar.

The Story & Screenplay is by Mathew Robbins, Sabrina Dhawan & Vishal Bharadwaj…

The music is by Vishal Bharadwaj, and it is said the song sequences have been shot lavishly by ace choreographer Farah Khan…

The movie is a joint collaboration between VB Pictures, Viacom 18 Motion Pictures and Nadiadwala Grandson Entertainment.

The movie releases on 24th February 2017…till then enjoy the highly impressive Official Trailer hoping the movie would be as interesting as the Trailer.

 

Movie Review: Baaghi

Baaghi: Nothing Rebellious about this Rebel

Baaghi Movie ReviewSabbir Khan introduced Tiger Shroff to Bollywood in an impressive “Heropanti” which may not be termed as a classic but it was entertaining and an ideal launch vehicle for a newcomer and giving due credit to Tiger Shroff he did not disappoint us. The same director actor duo comes up with “Baaghi”….hence the expectations are high…

“Baaghi” has slim story line of a rebel Ronny who is sent to Kerala by his dying father to Guruswamy (Grandmaster Shifuji Shaurya Bharadwaj) to be trained in martial arts of Kalaripayattu to discipline his life. On the way to Kerala Ronny meets Sia (Shradha Kapoor) and falls in love. Trouble starts when Raghav ( Sudheer Babu Posani), Guruswamy’s son also falls in love with Sia. Does Ronny get his love and gets tamed by Guruswamy is what the movie is all about….

Story & Screenplay written by Sanjeev Dutta is extremely clichéd and predictable to the core. The love story between the two principle characters which forms the very basis of the story is the weakest without any emotion or chemistry amongst the pair. The love story is filled with clichés and looks dated, and at times the love story is unintentionally funny, like rain being a catalyst to their love. After a point the love story becomes unbearable and the last thing you want to see is the love track. The characters written are extremely sketchy, like why Ronny is rebellious, or why Raghav who is the son of the Trainer Guruswamy becomes so notorious, or the character of Sia’s father who seems to be greedy is never explored properly. The training and action sequences are a direct lift from South Asian movies especially “The Raid”. Rather the training sequences are the only interesting facets of the script but unfortunately it is not explored. Another flaw in the screenplay is, that the sequences are left unfinished, like what happens pre interval or nobody does anything when Guruswamy dies, making no sense. Many characters are introduced but never explored like the child character Subbu who sounded like the child character of “Hatya”. The first half is actually boring and drags….The dialogues also sound very 90’s and dated which pulls down the screenplay yet more….Overall the writing is extremely weak and at the end “Baaghi”  neither is a love story nor a complete action packed movie…

Even the performances do not save the day… Tiger Shroff as Ronny looks like he is repeating his “Heropanti” act, but what worked for him in his debut movie falls flat for him in this movie. He seems extremely uncomfortable in romantic and emotional scenes and looks comfortable only in action sequences. Another flaw is his dialogue delivery which has a heavy English accent; he really needs to brush up his Hindi diction if he wants to survive. Shradha Kapoor as Sia again repeats her “Aashiqui 2”, “Ek Villain” and “ABCD 2” act of a chirpy and girl next door but unfortunately fails this time. I won’t say it was a bad act but then there was nothing new as well, would love to see Shradha in more sensitive roles like that of Arshia in “Haider”. There is absolutely no chemistry between the lead pair… Telegu actor Sudheer Babu who debuts in “Baaghi” as Raghav the antagonist, is the only performance worth watching in the movie, he justifies his menacing act with his portrayal, but it is the writing which pulls down his performance, hope Bollywood gives more chances to Sudheer Babu…Grandmaster Shifuji Shaurya Bharadwaj the commando trainer of the Indian Army makes his acting debut as Guruswamy in this movie, and he does complete justice to his character and his sequences are few of the worth watching sequences of the movie especially the training sequences but unfortunately the screenplay did not give too much scope to his character. Rest of the cast like Sunil Grover, Sanjay Mishra end up hamming instead of acting and are wasted….

Action is the biggest highlight of the movie; action directors Kecha Kammpakdee and Javed Ejaz choreograph the stunt sequence brilliantly and give an international feel, they exploited the core strength of Tiger Shroff to the fullest…

The Cinematography by Binod Pradhan is one of the highlights of the movie…he captures Kerala and Bangkok like a dream…he gives the dreamy hue in the Kerala sequences and gives the gritty feel while capturing the by lanes of Bangkok….

Music is another highlight of the movie….the top three songs would be “Cham Cham” composed by Meet Brothers and rendered beautifully by Monali Thakur, the love ballad “Sab Tera” composed by Amaal Mallik and rendered by Armaan Mallik & Shradha Kapoor and last being “Girl I Need You” another ballad by Meet Brothers and sung beautifully by Arijit Singh…

Sabbir Khan could not salvage the already weak script with his direction; rather Sabbir is extremely weak in emotional quotient which was evident in his previous movies “Kambakt Ishq” and “Heropanti”. Sabbir looks completely confused what he wanted to make, whether a love story or a martial arts action movie….and the confusion is quite evident in the narration…

“Baaghi” is extremely clichéd and Tiger Shroff’s second outing is a BIG disappointment…the end credits where they show the behind the scenes clippings were more entertaining than the whole movie… I will go with “One and a half stars”….

Movie Rating: (1.5 / 5)

Movie Review: Tamasha

Tamasha: Ranbir & Deepika crackle in the otherwise confused Tamasha

Imtiaz Ali after a subtle “Highway”, comes back with the big budget love story “Tamasha”, which explores an array of human emotions….

Imtiaz again teams up with Ranbir Kapoor after “Rockstar” and Deepika Padukone after “Love Aaj Kal” and explores the crackling chemistry of Ranbeer Kapoor & Deepika Padukone very well…Tamasha Review

“Tamasha” explores the story of Ved (Ranbir Kapoor) & Tara (Deepika Padukone) who meet in Corsica when both are on a holiday and they promise not to reveal their true identities and will behave as somebody else without any inhibitions. They spend time at Corsica and separate with a promise that they would not meet again. But destiny had different plans as both meet again and plan to have a relationship, but Tara could not fathom the Ved who is more like a corporate machine and in a rat race, what happens to their relationship is what the movie is all about…

Imtiaz Ali’s story & screenplay starts with a lot of colours and develops the lead characters well with a lot of fun sequences in Corsica. The movie looses steam in the second half when the movie becomes predictable and becomes a mish mash of Imtiaz’s previous movie “Jab We Met”, “ Love Aaj Kal” & “Rockstar”. Imtiaz Ali oscillates from effervescent love to dark emotions like “Rockstar”, rather Imitiaz  over does the dark emotion even in sequences where it was not required. One of the major issue of the script was the to & fro of flashback which puts a break to a smooth narration and also dilutes the message of being what we believe we are…..Another part where he falters is to justify the lead Ved’s erratic behaviour time and again. Somewhere I felt Imtiaz was confused on what he wanted to make, a flowery love story or a dark love story which was clear in a not so convincing and predictable climax……

It is the lead pair of Ranbir Kapoor & Deepika Padukone who make the movie a worth watch, especially Ranbir Kapoor who yet again proves his mettle as a class actor, he just lights up the screen and to compliment him is Deepika Padukone who as Tara is like a fresh air and shows immense confidence and maturity in emotional as well as comic scenes. The chemistry of the lead pair just engulfs the entire movie that the other actors just do not matter. Though Piyush Mishra as the story teller and Javed Shaikh as Ved’s father do a brilliant job and make their presence felt….

Ravi Varman’s cinematography elevates the movie by capturing Corsica, Shimla & Delhi like a dream. Aki Narula & Anahita Shroff Adajania’s costumes give the required colour to the characters…

It is the music of A R Rahman which brings another dimension to the movie and elevates the narration in a musical format with the sequential songs, but “Mutturghasti” rendered by Mohit Chauhan tops the chart with its fresh rendition…

Imtiaz Ali tries to play with various emotions in the movie resulting in NOT so consistent narration which ultimately becomes the biggest drawback of the movie….but he successfully renders the message of “Living Life Full size by being what you are”

But the crackling chemistry of Ranbir Kapoor & Deepika Padukone deserves 3 stars….

Movie Rating: (3 / 5)

 

 

Kick

Super Star Salman Khan in the new Blockbuster releasing this Eid…Sajid Nadiadwala debuts as a Director with this film…..other star cast includes Jacqueline Fernandez , Randeep Hooda, Nawazuddin Siddiqui….Await the Blockbuster

Kick Cast & Crew
Banner : Nadiadwala Grandson Entertainment & Utv Motion Pictures
Director : Sajid Nadiadwala
Release Date : 25 Jul 2014
Star Cast : Salman Khan,Jacqueline Fernandez,Randeep Hooda,Nawazuddin Siddiqui,Mithun Chakraborty,Archana Puran Singh,Saurabh Shukla,Sanjay Mishra,Kavin Dave,Sumona Chakravarti,Nargis Fakhri

Check the Movie Review of Kick