Movie Review: Hichki

Hichki: Predictable yet Heart Warming

“Hichki” is a true example of safe film making; it is moulded in an existing mould taking inspirations from various movies international and Bollywood exploring the theme of teacher and student bonding. Starting from Jagruti to Imtehaan to Taare Zameen Par, this theme has been used successfully, and “Hichki” takes the same path, though primarily it is an adaptation of the book, “Front of the Class: How Tourette Syndrome Made Me the Teacher I Never Had” by Brad Cohen.

“Hichki” tells the story of Naina Mathur (Rani Mukherjee) who suffers from Tourette’s syndrome (a neurological disorder which forces the hichki movieindividual to make sounds as and when there is an obstruction in the nerves) who being a part time graphic designer aspires to be a teacher. After a struggle for 5 years she ultimately gets a job at a prestigious school St. Notekar’s as a teacher, wherein she is assigned class 9F which comprises of kids from the nearby slums as per Indian Govt’s right to education. These kids are seen as an outcast who does not blend with rest of the students from elite families which make the kids feel unwanted and they become rebels. Whether Naina is able to regain the kids trust and able to tame them is what the movie is all about.

“Hichki” is written by a team of writers comprising of the director Sidharth Malhotra, Ankur Choudhary, Ambar Hadap and Ganesh Pandit. Though the writing team comprises of five writers still there is nothing new about “Hichki”, and right from the word go you will exactly know how will the movie progress and end. Where the movie redeems itself are a few moments between Naina and her students that make you really emotional. Though the story and screenplay does not anything new but still it makes you smile and cry along with it, in short the premise and writing successfully connects emotionally because it is the characters and their equation, like the father daughter relationship, the mother daughter relationship, Naina’s relationship with her students that makes the difference. Overall the writing is decent but not extraordinary.

“Hichki” is a Rani Mukherjee’s movie throughout, she is in every frame and she just kills it with her performance, again showing what an actress par excellence she is. Rani internalizes Naina and almost lives her on screen, especially when she has bouts of Tourette. Rani carries the entire movie on her able shoulders and does not disappoint us even in a single frame. Rest of the cast like Neeraj Kabi as Wadia does a good job but I felt that his character was too one dimensional for a brilliant actor like him. Amongst the kids it is Harsh Mayar as Aatish who leaves the maximum impact, rest of the supporting cast does a good job.

Though “Hichki” has songs but none of the songs creates any impact.
Cinematography by Avinash Arun captures the moments well and creates the apt premise for the story.

Siddharth P Malhotra, after an unsuccessful “We Are Family” plays it safe this time around, and the best decision me makes is to cast Rani Mukherjee in the lead role, which was half the battle won. Though he gets the emotional quotient bang on but still we want to see more dimensions in his direction.

“Hichki” is a Rani Mukherjee movie throughout and she does not disappoint, I will go with 3 stars.

Movie Review: Meri Pyaari Bindu

Meri Pyaari Bindu: Not So Pyaari After All…

As the name suggests the movie is of the principle character Bindu (Parineeti Chopra) through the eyes of her childhood friend cum admirer cum lover Boobla (Ayushman Khurana).

The story primarily set in North Kolkata oscillates not only as far as location goes but also in overall graph of the story. So the movie is of the friendship cum love of Boobla a.k.a Abhimanyu Roy, a C grade cheap pulp novelist who re-visits his memories with her next door neighbour Bindu, an extremely vivacious, fickle minded and extremely bindass girl who brings the necessary thrill to the typical bong guy Boobla. Things change for them when they grow up and Boobla realizes his love for Bindu, and things get complicated, whether Boobla gets Bindu is what the story is all about.

Written by Supratim Sengupta, the story unfolds through the eyes of Boobla and how he perceives Bindu, his friend, confidant, love etc. The story evolves as a modern day love story of complicated youth, not knowing what they want and how life teaches them to be more mature. Well the premise seems too familiar; well that is where the flaw lies. The overall skeleton of the story does not offer anything new, but where it scores a bit are some moments of Bindu and Boobla that warms your heart and you identify it with your life. The whole story is interwoven with some Bollywood classic melodies which puts a smile on your face, especially if you have grown up in the 80’s and the 90’s when the cassettes and the two in one where the only ways to listen to music other then the radio. Supratim holds your interest all throughout the first half and during interval time you look forward what happens to both Boobla and Bindu, but what unfolds in the second half just does not match the build up of the first half, it becomes a drag and the story just does not move and is stuck in a time wrap. The over stretched climax tests your patience and you wonder what the heck is happening. One of the biggest flaw in the writing has been that it is through the eyes of the Male protagonist Boobla, you are never get to know the real Bindu , as to why is she behaving the way she is, what actually happens to Bindu, the back story of Bindu is completely missing which makes you feel that the writing is half baked and you do empathise with either of the characters.

It is the dialogues which somehow try to undo the lack of cohesive script. The spunky and funny dialogues give you the necessary entertainment.

Ayushman Khurana as Boobla is the best thing of the movie, he portrays his character with complete sincerity and it shows, keeping up the pace is Parineeti Chopra as Bindu, who has proven her acting capabilities time and again, and she does not disappoint you as Bindu as well, it is the chemistry between Ayushman and Parineeti that holds your attention throughout the movie and you would remember long after the movie is over. Aparajita Auddy as Boobla’s mother gives a crackling performance of a typical bong mother, I am sure every bong will identify with this character. Rest of the cast also give a good performance. Overall after dialogues it is the performance of the cast which stand out.

Akshay Roy who is not new to film medium thanks to his many short films that he directed, but this is his first foray to mainstream cinema, and he does not completely disappoint, though the script let’s him down but he is successful in getting some crackling performances, especially by Ayushman Khurana. He keeps it subtle, I am sure given a good script Akhay will shine..

Sachin Jigar charter a different territory with the music of this movie, “Mana Ki Hum Yaar Nahin” stays with you even after the movie is over thanks to the beautiful lyrics by Kausar Munir and Sonu Nigam and Parineeti Chopra’s vocals, “Haareya” is another feather in Arijit’s cap, “Khol de Baahein” sung by Monali Thakur is soft to your ears…

“Meri Pyaari Bindu” oscillates from being good to bad and sums up as average…I will go with 3 Stars..

Movie Rating: (3 / 5)

42 Years Of Deewar

Yash Chopra has an extra ordinary body of work, but “Deewar” will always be the shining gem in his career as a filmmaker.

“Deewar” is and always be an iconic movie for Indian movies, whether it is the script, the dialogues, the ensemble star cast, the performances or the direction, “Deewar” scored in all the departments.

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But what made the movie the huge success, is its strong writing by the duo writer Salim Khan and Javed Akhtar , popularly known as Salim-Javed. The story & screenplay mirrored the sentiments of the masses then who were disappointed due to the unfulfilled promises which were made after independence and the corruption which was brewing, and that struck the right chord with the masses. The story was of two brothers Vijay (Amitabh Bachchan) and Ravi (Shashi Kapoor), one brother Vijay chooses the wrong path to earn his living and becomes a smuggler, on the other hand   the younger brother Ravi chooses the path of righteousness and joins the police force. The tussle between ideologies of the two brothers and their mother becomes the crux of the story.

The impactful dialogues were like the cherry on the cake, some of the dialogues are still so famous like the iconic “Mere Pass Ma Hain” or the climax temple scene “Khush To Bahut Hoge Tum”. Each character was written with precision and made an impact on the audience. It is believed that Vijay’s role was loosely based on then Don Haji Mastaan who was also a coolie in the docks initially..

The casting of the movie went through a lot of changes, the original cast comprised of Rajesh Khanna playing the role of Vijay and Navin Nishchol playing the role of Ravi and Vijayantimala was cast in the mother’s role, but writers Salim-Javed insisted on Amitabh Bachchan being cast as Vijay as they had some problems with Rajesh Khanna in the past, so Amitabh Bachchan was signed up for the role of Vijay, due to which both Navin Nishchol and Vijayantimala refused to be part of the movie so subsequently Shashi Kapoor was signed to play Ravi and Nirupa Roy was signed to play the mother’s role. It is said that Yash Chopra almost finalized Waheeda Rehman to play the mother’s role after Vijayantimala exited, as he wanted a strong actor to play the role as it was a crucial character of the movie, but since Yash Chopra was simultaneously making “Kabhie Kabhie” wherein Waheeda Rehman was playing Amitabh Bachchan’s wife, so he thought that the casting Waheeda as Amitabh’s mother would be detrimental for “Kabhie Kabhie”, hence he dropped the idea and finally Nirupa Roy did the iconic role and she is still remembered for this role and later Nirupa Roy played Amitabh Bachchan’s mother in multiple movies.

Music was one of the strong points of any Yash Chopra movie but the plot did not have too much scope for songs, still two romantic songs were included which were shot on Shashi Kapoor and Neetu Singh were included, they were “Maine Tujhe Manga Tujhe Paya Hai” and “Keh Doon Tumhe”, both became popular, but the producer still though that song wise the movie lacked the punch, hence though shooting was over, a mujra song “Koi Mar Jaaye” was added and shot on Aruna Irani. The music was rendered by R D Burman.

The iconic look of Amitabh Bachchan of a knotted shirt was a result of an error by the tailor who made Amitabh’s shirt too long, and in order to camouflage the error it was knotted, which became a rage.

“Deewar” was released on 24th Jan 1975, and was a super hit, and ran for 100 weeks earning  1 crore from each territory and making it the 4th Highest grosser Bollywood movie of 1975..

It earned the highest no. of Filmfare awards for the year beating the iconic movie “Sholay”. It received 7 Filmfare Awards which was record and was broken by “Dilwale Dulhania Le Jayenge” winning 10 awards in 1995..

“Deewar” remains in the heart of cine lovers till today, and will remain so till eternity….

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Movie Review: Befikre

Befikre: A caricature in the name of Modern Love Story

Befikre-Movie-ReviewAditya Chopra tries to break his mould of a conventional love story maker to a contemporary love story maker with “Befikre”; well there is no problem in that but we have misconceptions of a modern or contemporary love story that it needs to be bereft of any emotions and passion, and that a modern day couple are only there for fun…

Taking that concept Aditya Chopra weaves in the quirky love story of Dharam (Ranveer Singh) and Shyra (Vaani Kapoor) who are two modern day individuals. Dharam the latest export from India who lands in the romantic city of Paris and meets Shyra, a free spirited Indian girl born and brought up in Paris, who calls herself a French girl, both start a casual fling which then gets converted to a live in and then a break up and then good friends, but do they ever find their real feelings for each other is what the movie explores…

Story by Aditya Chopra & Sharat Kataria and screenplay by Aditya Chopra himself takes inspiration from whole lot of Hollywood and Bollywood movies like My Best Friend’s Wedding, No strings Attached, YRF’s own Shudh Desi Romance or Band Baaja Baraat and Tamasha. In a nutshell there is nothing new in the premise neither in the screenplay, wherein a boy and a girl start a relationship with no strings attached and eventually they fall in love with each other and life gets complicated. Rather to add to the modernism the couple start making out at the drop of a hat as if they are sex maniacs, even the casting shows people kissing throughout. Where the story fails miserably is the lack of any emotional quotient in the scenes, rather the graph remains flat throughout the movie and never peaks and in the end you hardly care whether girl and the boy eventually remain happy ever after. The characters including the leads look like caricatures with no depth what so ever. In short the movie just falls flat and right from the word go and Aditya Chopra looses the plot with “Befikre”…

The dialogues by Sharat Kataria are the only saving grace in the scenes which makes you smile. The dialogues are cute, funny and at the same time contemporary, not heavy duty.

In a love story the most essential component is the chemistry, well unfortunately there is NO chemistry between Ranveer Singh and Vaani Kapoor, though Ranveer Singh is in a comfortable space with the character where the fun part is concerned, but then it is a repetition of what he did in “Band Baaja Baraat” and it was novel at that time. Where Ranveer struggles in bringing the passion in emoting love, he is fine till the fun element is intact but when it becomes serious emotion Ranveer fails. Vaani Kapoor also gives a sincere performance but the chemistry with Ranveer. Debutant  Armaan Ralhan as Anya, Shyra’s fiancé gives a inhabited performance, being his first movie he looks and acts well, though it is the script which pulls him down.  Akarsh Khurana and Ayesha Raza who play Shyra’s parents do a good job, but they have nothing much to do. Rest of the foreign cast try to fit in but look confused.

Music by Vishal Shekhar is average and none of the songs have a recall value, something which is so opposite to an Aditya Chopra movie. Choreography by Vaibhavi Merchant has nothing new and original it is typical run of the mill…

It is the camera work by Kaname Onoyama which makes the movie worth a watch; he has captured Paris and France like poetry…

Aditya Chopra in his previous movies has shown brilliance in creating moments in his moments, who can forget the mother daughter scene or the pre climax sequence of DDLJ, or all the sequences of Amitabh Bachchan and Shahrukh Khan in Mohabbatein, or the cute yet uncomfortable chemistry of the leads of Rab Ne Bana Di Jodi, but that brilliance is completely missing in “Befikre”. Rather you feel Aditya has made the movie in a rush and missed on all the crucial elements which have a USP of his movies. Aditya Chopra disappoints us with “Befikre” and it is definitely his weakest film till date. Rather after watching “Befikre”, you doubt whether it is the same director who directed DDLJ….

A huge let down by Aditya Chopra, I will go with Two Stars…

Movie Rating: (2 / 5)

Movie Review: Fan

FAN: The Jabra FAN shines over SRK

Fan Movie ReviewFor the last few years after “Chak De”, Shahrukh just could not get it right, though his movies did 100 crores but somewhere the actor Shahrukh was camouflaged by the STAR Shahrukh Khan….

Good News is “FAN” brings back the ACTOR Shahrukh Khan on silver screen with the portrayal of Gaurav Chandana who is a BIG fan of Aryan Khanna (Shahrukh Khan) and has a striking resemblance to Aryan. Gaurav is famous amongst his West Delhi locality as the Junior Aryan Khanna. He wins a competition in a local fare and plans to visit Aryan Khanna in Mumbai on Aryan’s birthday and gift the trophy that he has won. But things go out of hand for him in Mumbai and Gaurav finds himself in the receiving end of Aryan Khanna and to his shock his matinee idol refuses to acknowledge Gaurav as his Fan. Dejected Gaurav returns to Delhi but with a vengeance in his heart to teach Aryan Khanna a lesson….is Gaurav able to take revenge from Aryan Khanna is what the movie is all about….

Story & Screenplay by Habib Faisal starts off on a realistic ground and the first half sticks to realism, it is in the second half that the movie takes a complete U turn from Realistic cinema to typical Bollywood masala. The second half is full of glitches and flaws like everybody mistaking Gaurav as Aryan, including Aryan’s guards and wife, whereas in the first half  Gaurav was differentiable, or how did Gaurav end up in London or Aryan a super star taking up on himself to teach Gaurav a lesson looked too farfetched, especially after a realistic start. Another problem with the movie is its screen time of 143 minutes; it could have been easily 30 minutes short. But it is the characterization which stands out in the writing, off course Gaurav’s character is the best written character but even the support characters are also written well, which is Habib Faisal’s forte. The middle class ethos is portrayed brilliantly by Habib Faisal. Another thing where Habib Faisal scores is getting the true feelings of a hard core FAN in his writing. Some sequences do touch your heart and remains with you even after the movie is over, especially the last few scenes in the climax.

Dialogues by Habib Faisal and Sharat Kataria brings the Delhi lingo back and blends with the narration, the words, the pronunciations everything is just apt. It won’t be wrong to say that the dialogues of the movie took the screenplay to a different level….

But what actually makes the movie shine is the performance of Shahrukh Khan, his portrayal of Gaurav Chandana is just brilliant and reminds you of the Shahrukh Khan of “Kabhi Haan Kabhi Naa” or “Darr” put together but with a difference, what with him playing a 20 year old at the age of 50 and the complete Delhi mannerism which he nailed with Gaurav. Definitely Shahrukh will be the toast of the awards season for this year. Shahrukh as Aryan gives a restrained performance of cocky headed star, but it is Gaurav’s portrayal which overshadows the entire cast. Deepika Amin as Gaurav’s mother and Yogendra Tikku as Gaurav’s father complement Gaurav’s character beautifully, especially Deepika Amin, good to see that she is getting her due at last. Debutant Shriya Pilgaonkar (Actor Sachin’s daughter) as Neha, Gaurav’s friend is impressive and extremely natural though she has very less screen time, definitely an actress to watch out for. Sayani Gupta as Aryan’s PA, though a small part does complete justice to the character, though her role in the film did not justify her calibre for sure. Debutant Walusha D’Souza as Bela Aryan’s wife, is natural and does a good job, never will you feel that this is her first screen outing, she holds on to her own even in front of the stalwart like Shahrukh Khan. Rest of the supporting cast also do a good job….

Manu Anand’s cinematography gives the extra edge to the movie, whether it is the Delhi by lanes or the beautiful locations of London or Croatia, Manu captures it with brilliance, especially the chase sequences….

Well one of the flaws of the movie is its editing by Namrata Rao, being a thriller it could have been much more crisper but unfortunately some places the movie dips and fails to be a complete thriller…

I give full credit to Maneesh Sharma the director, for digging out the actor Shahrukh Khan for “FAN”. Maneesh successfully brings out the ethos of a FAN brilliantly. Well not to mention his forte in capturing the middle class Delhi brilliantly. Just one complaint Maneesh just looses it a bit in the second half, but extracts brilliant performances from the cast, especially Shahrukh Khan….But I still feel “Band Baja Baraat” as his best till date…

“FAN” is a Shahrukh Khan show all the way, and he does not disappoint with his earnest performance after a long time….I will go with Three and a Half Stars….
Movie Rating: (3.5 / 5)

Official Trailer: Fan

Yashraj Films “Fan” as per the promos is a different kind of Shahrukh Khan movie, which is not romance but a thriller wherein Shahrukh Khan plays a double role that of a super star Aryan Khanna & his 20 year old fan Gaurav.

As the name suggests the story written by Habib Faisal is of Gaurav, who is the biggest fan of Aryan Khanna and what conspires due to Gaurav’s madness for Aryan Khanna is what the movie is all about….

Fan-First-Official-Trailer

Maneesh Sharma after his not so successful “Shuddh Desi Romance” (2013) is back with a movie which has a large canvas with super star Shahrukh Khan. Definitely this is Maneesh’s biggest film till date after Band Baaja Baraat, Ladies Vs Ricky Behl & Suddh Desi Romance….

The principal cast of the movie has Shahrukh Khan (In a double role), Shriya Pilgaonkar (Actor Sachin Pilgaonkar’s daughter who is debuting with this movie), Waluscha De Souza, Deepika Amin & Yogendra Tikku….

To get the looks right for the character Gaurav, Academy Award winner makeup artist Greg Cannom (Won Oscar for Mrs Doubtfire, Bram Stocker’s Dracula & The Curious Case of Benjamin Button) has been signed, and I must say he has done an impressive job with Shahrukh’s look for Gaurav…

The movie was launched in Dec’13, but the actual shooting commenced from July’14, and the actual release date was early 2015, but due to Shahrukh Khan injuries teh movie got delayed and the release date was shifted to 14th Aug’15, but again the release got delayed due to post production work of complex computer graphics and now the movie is releasing on 15th April 2016…

“Fan” has been extensively shot in Mumbai, Delhi, London & Croatia…

Music has been scored by Vishal-Shekhar….and the song “Jabra Fan” has been released…

“Fan” is produced and distributed by Yashraj Films….and releases on 15th April’16….Official Trailer below…

Flashback: 20 Years of Dilwale Dulhania Le Jayenge

The chemistry of Shahrukh Khan & Kajol was the sole reason for “Dilwale Dulhania Le Jayenge” stupendous success…

Even after 20 years the chemistry is still fresh and warming up the cine lovers…..See the unmistakable chemistry of Shahrukh Khan & Kajol celebrating 20 years of DDLJ…. cannot wait for “Dilwale” which releases Dec’15

 

Movie Review : Dum Laga Ke Haisha

Dum Laga Ke Haisha: Has the “Dum” of a complete Entertainer

Yash Raj Films have lately digressed from big budget blockbusters and concentrated on small budget movies with content like “Mardaani”, “Bewakoofian” and now “Dum Laga Ke Haisha”.

Dum-Laga-Ke-Haisha-MovieSome movies come like a whiff of freshness and bowl you over and bring a smile on your face, “Dum Laga Ke Haisha” is one such movie. Set in 1995 Haridwar it transports you to the world of 90’s aptly when Kumar Sanu was the nation’s favorite singer, so is Prem Prakash Tiwari (Ayushman Khurana) who is 10th fail but has a small business of selling cassettes in the by lane of Haridwar, who gets married to Sandhya (Bhumi Pednekar) on his father Chandrabhan Tiwari (Sanjay Mishra) insistence. The only problem is that Sandhya is double of Prem’s size which causes an embarrassment for Prem. How Prem and Sandhya come together and fall in love forms the rest of the story.

Sharat Kataria brings the freshness in the script and still keeps it realistic. Sharat beautifully sketches the main protagonist Prem & Sandhya well. Prem a guy who is good looking but low in confidence and esteem and completely under his father’s influence on the other hand Sandhya who is fat but has no qualms about her weight and is a confident girl. This is where Sharat successfully brings the freshness. Another aspect which stands out in the script is the well etched characters whether it is character of Prem’s father or his mother or his aunt. Some sequences stand out like the fight between Sandhya and Prem through songs of the 90’s. It is the second half which falls prey of a typical Bollywood format and loses its freshness to some extent.

The dialogues are realistic as well as hilarious which lifts the screenplay. Commendable is the way the dialect and the accent have been incorporated in the dialogues.

But what stands out and makes “Dum Laga Ke Haisha” a worth watch are its performances. Ayushman Khurana as Prem Prakash Tiwari is brilliant and gives a stellar performance after his debut “Vicky Donor”. Ayushman successfully captures the nuances of a low confident loser right from the accent to the body language which totally justifies his character of a small town. Debutant Bhumi Pednekar as Sandhya is crackling and shows a spark. Sanjay Mishra as Prem’s father shines and again shows his mettle as a fine actor. Other actors like Seema Pahwa, Alka Amin, Sheeba Chaddha and the rest of the cast do a brilliant job and make the movie worth a watch.

Other departments also impresses whether it is the cinematography by Manu Anand who captures Haridwar beautifully or Production Designer Meenal Agarwal who gets all the nuances right or Darshan Jalan’s Costume design which takes you back to the world of baggie pants and printed shirts.

Music by Anu Mallik is titillating from melodies of 90’s “Tu” and “Dard Karara” to the serene “Moh Moh Ke Dhaage” & “Sundar Susheel” or the sufi touch of “Dum Laga ke Haisha”, all the songs are worth a listen. Do not miss the last song in the credit “Dard Karara” choreographed by Chinni Prakash, which takes you to the days of 90’s when the songs had extras dressed in identical costumes and over the top steps.

Sharat Kataria tough his debut “10 ML Love” which went unnoticed, but he proves his point as a director with this movie and he impresses to a large extent.

Overall “Dum Laga ke Haisha” succeeds in the main purpose of entertaining and which makes you smile at the end… A movie worth of Four Stars….

Movie Rating: (4 / 5)

Official Trailer : Detective Byomkesh Bakshy

Detective Byomkesh Bakshy- Synopsis

Yash Raj Films has lately tried to dabble in various genres and in their attempt to do something different they have
come up with the Bollywood adaptation of the fictional detective Byomkesh Bakshi created  & written by Sharadindu Bandopadhyay.

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Named on the character itself “Detective Byomkesh Bakshy” is directed by Dibakar Banerjee. This would be Dibakar’s  first attempt in crime thriller. The adapted screenplay has been written by Dibakar himself along with Urmi Juvekar.

The story basically captures Byomkesh Bakshy’s first case that he undertakes as a detective. The story is based in 1943 Kolkata during World War II.

The lead role of Byomkesh Bakshy is being played by Sushant Singh Rajput. The rest of the cast includes Anand Tiwari, Bengali actress Swastika Mukherjee, Divya Menon, Neeraj Kabi, Miyang Chang & Aryann Bhowmik.

It is rumored that Swastika’s role was initially supposed to be done by Rani Mukherjee but since it had some bold scenes hence Rani refused.

It has music by Dibakar’s protégé Sneha Khanwalkar. It is being jointly produced by Aditya Chopra & Dibakar Banerjee.

Byomkesh Bakshi became famous as a television serial in 1993 which had Rajit Kapur playing the lead and KK Raina as his accomplice…

Whether the movie adaptation will be as successful as the television version…well for that we need to wait till 3rd April 2015…till then watch below the Official Trailer of the movie, which looks interesting and different….

Trailer Daawat-e-Ishq

Parineeti Chopra is back with Aditya Roy Kapur in YRF’s “Dawat-E-Ishq”, they are paired for the first time…..Written & Directed by Habib Faisal….”Dawat-E-Ishq” is a love story with food as a back drop…Produced by Aditya Chopra the movie is releasing on 5th Sept’14….. the promo looks interesting….

Trailer Mardaani

Rani Mukherjee is back with YRF’s “MARDAANI”……Directed by Pradeep Sarkar (Of Parineeta Fame) this is his second movie with Rani after “Laaga Chunri Mein Daag”released in 2007…..the movie is based on the organized crime of Human Trafficking and Rani plays a tough cop Shivani Shivaji Roy a departure from her previous roles….the movie releases 22nd Aug’14….Below is the trailer which looks interesting…

Trailer Grace of Monaco

Yash Raj Films makes their debut in Hollywood with the movie “Grace Of Monaco“……It is based on the life of Hollywood actress Grace Kelly who married the Prince of Monaco…..the other producers are Stone Angels Films & TF1 Films Production and presented by Warner Bros…Directed by French Film Maker Olivier Dahan staring Nicole Kidman in the lead….the movie releases in India on 13th June’14