Movie Review: Dilwale

Dilwale: No heart & Soul in this Dilwale

DilwaleRecipe of a hit movie, sign up a hit pair from the past, sign up two new actors from the current lot, to support sign a bandwagon of comedians, sign up a successful director, shoot in exotic foreign locations, show stylish cars and blow it up and at the end take the story idea from an old Bollywood successful movie and put some scenes in the name of script, and you have a hit Bollywood movie dish ready to earn 300 to 400 crores….

Well I guess this is how “Dilwale” was made. Rohit Shetty completely looses the plot with this movie and attempts a love story which is definitely not his forte and he fails miserably.

With a clichéd story line of two brothers Raj (Shahrukh Khan) and Veer (Varun Dhawan) who own a garage in Goa modifying cars and live a quite life of fun and bhaichara, till Veer falls in love with Ishita (Kriti Sanon) who happens to the sister of Meera (Kajol). Both Meera and Raj who have a history 15 years back when Raj was Kali a gangster in Bulgaria. The young couple Veer and Ishita now need to re-unite the warring lovers Raj and Meera, so that they can get married. How they unite the warring couple is what the movie is all about.

Written by Yunus Sajawal, the screenplay looks too dated and extremely predictable, even the so called twists that have been incorporated. There are glaring loop holes in the movie, like both Veer & Ishita were young enough to understand what was happening 15 years back, but they are shown to be completely ignorant, I guess Yunus took the proverb “Ignorance Is Bliss” too seriously. The whole premise is too much of 80’s masala. Some of the characters like the comedians Mani (Johnny Lever), Oscar (Sanjay Mishra) and the local gangster King (Boman Irani) all look as an afterthought which was put as comedy ka tadka in the otherwise bland story. None of the characters are well etched including the lead pair, rather the characters of Veer and Ishita look like glorified support cast. In the climax Yunus completely looses it with “No punch” at all, something which is expected in a Rohit Shetty movie. Rather the climax looks too rushed as if the makers were in hurry to wrap up the movie or were not sure how to wrap the movie. In a nutshell the writing is extremely weak…

Dialogues by Farhad-Sajid does not help either, rather it is too childish and amateurish. Some of the jokes in the name of comedy are so clichéd that you will hardly laugh. Even the so called love scenes between the lead pair are without the punch and passion.

It is only Shahrukh Khan who carries the movie on his shoulders. His portrayal of Raj/Kali is the only decent act of the movie. Well as in his previous movie, Shahrukh plays himself and NOT the character. Kajol as Meera repeats her act of the vivacious character which she has been doing since her DDLJ days. I still feel Kajol has the talent but she just does not do anything different. Rather I would love to see Shahrukh and Kajol in a matured love story. Varun Dhawan as Veer hams throughout the movie in the name of the comedy. Rather this is Varun’s weakest performance till date. Kriti Sanon as Ishita has nothing much to do other than looking good, but still she registers her presence in the scenes which includes her, with her confidence. I would love to see Kriti in a much more defined role. Johhny Lever as Mani bhai brings some much needed laughs with his mallu act. Sanjay Mishra as Oscar though is completely wasted but still manages some laughs. Varun Sharma as Sidhu is repetitive of his Fukrey act. Boman Irani as King is one of the worst performance of the movie. Both Vinod Khanna and Kabir Bedi are wasted….

Cinamatography by Dudley manages to give the glamour quotient to the movie. Music by Pritam is good with some melodious tracks like “Janam Janam” and immensely popular “Mohe tu Rang De Gerua”…

“Dilwale” is undoubtedly Rohit Shetty’s weakest movie till date; it completely lacks the Rohit Shetty touch and does not look like a Rohit Shetty genre of movie. It lacks in high octane action and it lacks in humour, two of Rohit Shetty’s forte. I think Rohit should stick to his kind of comedy like “Golmaal” which is pure entertainment and not venture in genres like love story which according to me is definitely NOT his cup of tea….

I will go with 2 & a half stars….

Movie Rating: (2.5 / 5)

 

Flashback: 20 Years of Dilwale Dulhania Le Jayenge

The chemistry of Shahrukh Khan & Kajol was the sole reason for “Dilwale Dulhania Le Jayenge” stupendous success…

Even after 20 years the chemistry is still fresh and warming up the cine lovers…..See the unmistakable chemistry of Shahrukh Khan & Kajol celebrating 20 years of DDLJ…. cannot wait for “Dilwale” which releases Dec’15

 

Celebrating 20 Years of DDLJ

I still remember the day 20th Oct 1995 in a small town Jabalpur standing in queue for the tickets of the First Day First Show of “Dilwale Dulhaniya Le Jayege”. I had a friend for company whom I dragged to watch DDLJ as he was keener on Madhuri Dixit starrer “Yaraana” (also released on the same day) was sulking since “Yaraana” was showing in the adjacent theater. The poster was newly pasted and there was not too much of a crowd for 9:30 AM show. Who knew that this movie will make history….

00---Dilwale-Dulhania-Le-Jayenge-(1995)-(VMR)--Covers--(Inlay2)

It was a Shahrukh Khan- Kajol starrer who gave the successful Baazigar and Karan Arjun but as a pair there was nothing to write about then. It was a launch pad for Aditya Chopra, elder son of Yash Chopra and Yashraj Productions was celebrating 25 years with its release.

The movie started and I was transported to a different world of Raj & Simran and before I could realize the 186 mins got over. When I walked out of the theater I wanted scream to the world that this is the best love story ever made in Bollywood.

It had a very different concept, the main lead Raj was hardly anything that the Bollywood Hero was. Raj was a failure, a loser and absolutely nothing that can be idolized. What clicked with the audience was that the characters were realtable. The magic of Raj & Simran was immortalized beautifully by Shahrukh Khan & Kajol making them the next hit Jodi of Bollywood. Later they gave blockbusters like “Kuch Kuch Hota Hai”, “Kabhi Khushi Kabhi Gham” & “My Name Is Khan”. People still wait for a movie with Shahrukh Khan & Kajol, a magic which still lasts.

Written by Aditya Chopra himself the screenplay had some extremely riveting sequences, who can forget the “Palat” sequence or the sequence between Farida Jalal and Kajol who played mother daughter wherein she explains to Simran how women need to sacrifice in this world ruled by men or the 10 minute rendition of Raj played by Shahrukh in front of Simran’s family in the climax as to why he cannot elope with her and above all the train sequence in the climax. These sequences are still so fresh in the minds as if it was yesterday. Aditya Chopra not only consolidated his position as a director but as a proficient writer as well with DDLJ. Later he made successful movies like “Mohabatein” & “Rab Ne Bana Di Jodi”. We are still waiting for his next venture.

DDLJ started the NRI brand of Bollywood movies and Shahrukh Khan became the favorite of the Indian Diaspora which is true even today. Karan Johar who also acted in the movie as Fonchi, Raj’s friend who later perfected the art of NRI designed movies with “Kuch Kuch Hota Hai” and “Kabhi Kushi kabhi Gham”.

DDLJ was the first few films to be mixed in Dolby Sound in India and was released in Dolby SR across India. The video rights of DDLJ were held back for a long time similar to how Rajshri Productions did for “Hum Aapke Hain Koun…”

DDLJ became the biggest grosser of 1995 and till 2015 it is the top 5 highest grosser of Bollywood with a total earning till date of Rs 1.22 billion worldwide. It is still running in Maratha Mandir, Mumbai for matinee show completing 1000 weeks and still has occupancy of 50%.

DDLJ won 10 Filmfare awards that year. DDLJ is one of the 3 Bollywood movies included in “1001 Movies You Must See Before You Die”, the other movies are “Mother India” & “Deewar”.

The music by Jatin Lalit still remains popular especially “Mehendi Lagake Rakhna” which is played in almost all Indian weddings till date.

DDLJ boosted the Europe tourism and travelling by Euro Rail is still considered an option for honey mooners.

20 years is just another milestone for DDLJ but it will remain in the hearts of Bollywood lovers and a classic which re-invented how love stories should be made in Bollywood…..